Iran culture 

Down to the present, one pattern has repeated again and again in Iranian civilization: the conquerors of Iranian territory are eventually themselves

conquered by Iranian culture. In a word, they become Persianized.

The first of these conquerors was Alexander the Great, who swept through the region and conquered the Achaemenid Empire in 330 B.C.E. Alexander died shortly thereafter leaving his generals and their descendants to establish their own subempires. The process of subdivision and conquest culminated in the establishment of the entirely Persian Sassanid Empire at the beginning of the third century C.E. The Sassanians consolidated all territories east to China and India, and engaged successfully with the Byzantine Empire.

The second great conquerors were the Arab Muslims, arising from Saudi Arabia in 640 C.E. They gradually melded with the Iranian peoples, and in 750, a revolution emanating from Iranian territory assured the Persianization of the Islamic world through the establishment of the great Abbassid Empire at Baghdad. The next conquerors were successive waves of Turkish peoples starting in the eleventh century. They established courts in the northeastern region of Khorassan, founding several great cities. They became patrons of Persian literature, art, and architecture.

Successive Mongol invasions of the thirteenth century resulted in a period of relative instability culminating in a strong reaction in the early sixteenth century on the part of a resurgent religious movement—the Safavids. The Safavid rulers started as a religious movement of adherents of Twelver Shi'ism. They established this form of Shi'ism as the Iranian state religion. Their empire, which ranged from the Caucasus to northern India, raised Iranian civilization to its greatest height. The Safavid capital, Isfahan, was by all accounts one of the most civilized places on earth, far in advance of most of Europe.

Subsequent conquests by the Afghans and the Qājār Turks had the same result. The conquerors came and became Persianized. During the Qājār period from 1899 to 1925, Iran came into contact with European civilization in a serious way for the first time. The industrial revolution in the West seriously damaged Iran's economy, and the lack of a modern army with the latest in weaponry and military transport resulted in serious losses of territory and influence to Great Britain and Russia. Iranian rulers responded by selling "concessions" for agricultural and economic institutions to their European rivals to raise the funds needed for modernization. Much of the money went directly into the pockets of the Qājaār rulers, cementing a public image of collaboration between the throne and foreign interests that characterized much of twentieth century Iranian political life. A series of public protests against the throne took place at regular intervals from the 1890s to the 1970s. These protests regularly involved religious leaders, and continued throughout the reign of the Pahlavi dynasty (1925–1979). These protests culminated in the Islamic Revolution of 1978–1979, hereafter referred to as "the Revolution."

This underscores a fascinating central motif in Iranian architecture—the juxtaposition of "inside" and "outside." These two concepts are more than architectural themes. They are deeply central to Iranian life, pervading spiritual life and social conduct. The inside, or andaruni , is the most private, intimate area of any architectural space. It is the place where family members are most relaxed and able to behave in the most unguarded manner. The outside, or biruni , is by contrast a public space where social niceties must be observed. Every family creates both kinds of spaces, even if living in a single room. Until the nineteenth century, Iranians did not use chairs. They normally sat cross-legged on the floor, preferably on a carpet with bolsters or pillows. In the twentieth century, furniture became the hallmark of the biruni , and now every family of any standing has a room stuffed with uncomfortable furniture for receiving important visitors. When the guests leave, family members give a sigh of relief and go to the andaruni where they can relax on the plush carpet.

An Iranian home is one where any room, with the exception of those used for cooking and bodily functions, can be used for any social purpose— eating, sleeping, entertainment, business, or whatever else one can conceive. One spreads a dinner cloth, and it is a dining room. After dinner, the cloth is removed, cotton mattresses are spread, and the room becomes a bedchamber. Contrast this to an American home where each room has specific functions, or is designated the specific territory of a given family member. As a result, Iranian families can live and entertain many guests in much less space than in the West. This is a social necessity, since the members of one's extended family, and even their friends and acquaintances, have an ironclad claim on virtually unlimited hospitality. One must be prepared to entertain many overnight guests at a moment's notice.

In addition to intimacy, the notion of the andaruni pertains to modesty for women. This is a consideration in all public arrangement of space, especially since the advent of the Islamic Republic. Some zealots will not allow men to sit on a spot that is still warm from a woman's presence. By contrast, public space occupied by persons of the same sex can be very close and intimate with no hint of eroticism or immodesty.

The historical Iranian city is constructed around the commercial center—the bazaar. Architect Nader Ardalan has likened the city to the human body. The bazaar is the spine of the city. Emanating from it are all the institutions needed by the urban population. At the top of the bazaar sits the "head" of this body—the great congregational mosque where all citizens gather on Friday for common prayers and perhaps a sermon. The bazaar is divided into sections inhabited by the various trade guilds. Thus all the carpenters are in one section, the goldsmiths in another, and the shoemakers in yet another.

The bazaar is punctuated with the "outside brought inside" in the form of pools and running water, and even perhaps a religious school with a small garden. The urban space surrounding the bazaar is likewise punctuated by the "inside brought outside" in the form of enclosed public gardens for private discourse in public. Houses in residential neighborhoods are built with abutting walls, each home having its bit of the outside in the form of an open courtyard with a pool, and a tree and a few flowers or a kitchen garden.

In the twentieth century, however, the needs of modern motor transportation and increased urban population density have destroyed much of the texture of the traditional city. Wide avenues have been cut through the traditional quarters in almost every city, disrupting the integrity of the old neighborhoods. Faceless apartment buildings have sprung up depriving residents of their gardens, save for a pot or two of flowers on a small balcony.

Public architecture has always been the essence of biruni in Iran. Grandiose in style, it almost demands formal social behavior. This has been true since Achaemenid times, as a visit to the ruins of their capital, Persepolis, will attest. The grandiose public mosques, shrines, and squares of Isfahan, Mashhad, Shīrāz, and Qom are overwhelming in their beauty and architectural excellence. Unfortunately, the great public buildings of Tehran built in the twentieth century have the bad fortune to have been built to emulate the most stark Western architectural styles.

Health care programs in recent years have been highly successful. Malaria has been virtually eliminated, cholera and other waterborne diseases are generally under control, and family planing programs have resulted in dramatic decreases in fertility rates. The infant mortality rate remains somewhat elevated (twenty-nine per thousand) but it has declined significantly over the past twenty years. AIDS figures are suppressed. A high percent of medicine produce in the country (less than 8% import )and even in the last years started to export to many country around and even some European country.

A folk belief prevalent in Iran revolves around dietary practice. This philosophy tries to maintain balance between the four humors of the body— blood, phlegm, yellow bile, and black bile—through judicious combinations of foods. Although more sophisticated Iranians use the full range of four humors in their dietary calculations, most adhere to a two-category system: hot and cold. For example, visitors quickly learn that their friends will not allow the simultaneous consumption of watermelon and yogurt (both cold foods) Or mix of melon an honey (both hot foods), for fear that this combination will cause immediate death.